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124.5 BONUS Mini-Sode: So I Married An Axe Murderer

Here’s a bonus mini-sode where we discuss Mike Myers’ SO I MARRIED AN AXE MURDERER (1993) as well as our own childhood pop cultural touchstones. Join us for the rest of Mike Myers’ epic journey from schwing! to swinger in Part One (Episode 124) of our Saturday Night Leavers – Celluloid Man-Children Of 90s Cinema mini-series!

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

107: “I’ll Be Right Here” – E.T. The Extra-Terrestrial

You know the score. You know the quotes. You know the poster. Forty years ago, a wrinkly alien with a magic touch waddled into moviegoers’ hearts and made E.T. THE EXTRA-TERRESTRIAL one of the most beloved family films ever made. Steven Spielberg’s alien opus surpassed STAR WARS as the #1 film of all time and remained the biggest hit in a decade that also saw the release of GHOSTBUSTERS, BACK TO THE FUTURE, the INDIANA JONES trilogy, and BATMAN. It also delighted critics and audiences alike, spawning toys, video games, and one of Universal Studios’ most memorable rides. In short, E.T. was everywhere in the 80s. 

In this episode of the podcast, When We Were Young takes you back to Spielberg’s childhood, chronicling his rise from suburban nerd to world’s most popular filmmaker. Then we chat about CLOSE ENCOUNTERS OF THE THIRD KIND, Spielberg’s first foray to the friendly skies, which offers a surprisingly dark vision of one man’s life-shattering obsession with the unknown. Then it’s on to “the Summer of Spielberg,” when both E.T. and the Spielberg-shepherded POLTERGEIST entered theaters in June 1982, each becoming instant classics of suburban childhood interrupted by paranormal events.

What is it like coming back to such a monumental movie as adults? Are we still over the moon for this film, or merely silhouetted against it? Grab a bag of Reese’s Pieces and join us for an episode that’s well worth phoning home about!

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

98: “Take Me To Bed Or Lose Me Forever” – Top Gun

Do you feel the need? The need to speed back to the 80s and bro out with Iceman, Wolfman, Slider, Viper, Goose, and Maverick all over again? If so, you’ll love Part One of our cruise through the career of the galaxy’s biggest superstar (don’t tell Xenu), starting with the 1986 blockbuster that first catapulted him to worldwide fame – TOP GUN.

The name “Tom Cruise” may be synonymous with movie stardom now, but back in 1986, he was still best known for his undie-baring breakout in the teen sex comedy RISKY BUSINESS, so having him headline an action-packed military drama was a bit of a gamble. Of course, Top Gun ended up topping all expectations, becoming the year’s highest-grossing film, launching a killer soundtrack, winning an Academy Award for the soaring romantic ballad “Take My Breath Away,” and cementing its place in history as one of the most iconic 80s movies.

Now, as Top Gun approaches its 35th anniversary with a long-awaited sequel on the horizon, it’s time to find out whether these boys are still worth playing with after all these years – or if we’ve lost that loving feeling for this classic dad flick. So take a deep breath, get inverted, and select your wingman carefully, because we’re heading right into the danger zone of Reagan-era jingoism and mid-80s machismo – and we’re not stopping until we’re going Mach 2 with our hair on fire. (Whatever that means!) Will we take Top Gun to bed, or lose it forever?

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Donate to help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California via our Patreon account at patreon.com/WhenWeWereYoung

91: “My Only Love Sprung From My Only Hate” – Romeo + Juliet

Baz, Baz, wherefore art thou Baz Luhrmann? On the latest episode of When We Were Young, we travel back to the mid-90s (and then even further back to the 16th century) to rewatch the Australian director’s frenetic modern-day adaptation of WILLIAM SHAKESPEARE’S ROMEO + JULIET (1996). The film was a hit at the box-office and cemented Leonardo DiCaprio and Claire Danes’ status as the heartthrobs of their generation.

Plus, the film’s soundtrack was considered one of the all-time greats, filled with original Bard-inspired tunes by the likes of Garbage and Radiohead. Shakespeare’s tragic tale of star-crossed lovers is still considered a classic, but does Baz’s exhilarating adaptation stand the test of time, too?

Pray, join us in merriment for Part I of our Spectacular Spectacular review of the films of Baz Luhrmann – or do you dare bite your thumb at us, sir?

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

85: “The Chameleon Strikes In The Dark” – The Thing

Is this a podcast, or is it merely pretending to be? It’s 2020, so we’re celebrating the holidays a little differently this year. We’ve swapped twitching tentacles for twinkling lights, exploding wolfdogs for red-nosed reindeer, lighting killer space beasts aflame for roasting chestnuts, and a creeping existential dread for jolly good cheer. Ho, ho, ho!

The 1980s saw a revival of 50s sci-fi B-movies, with notable remakes offering similarly bizarre chills and thrills with one major upgrade — some of the most stomach-churning special effects ever put to the screen. John Carpenter’s THE THING (1982) is a horror staple now, but it wasn’t so warmly received when it opened for audiences who had just fallen in love with Spielberg’s cuddly alien pal E.T., and Carpenter’s career never fully recovered.

We discuss how late 20th century horror masters took the traditions of drive-in camp classics and made them their own with gross-out gore and cringey body horror, then hunker down and contend with The Thing in all its goopy, arm-chomping glory. Did Carpenter’s classic deserve to be left out in the cold? Or was it a masterpiece merely imitating a box office bomb? Zip up your parka, secure your blood bags, and prepare for a not-so-silent night, because this is one story of immaculate reproduction that isn’t so blessed.

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

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