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94: “Okay To Go” – Men In Black & Contact

It’s Part Two of (deep breath) the When We Were Young Early Late Mid-to-Late 90s Summer Alien Invasion Spectacular, taking on the top alien flicks to invade 1997! In our latest episode, here come the MEN IN BLACK (clap clap), Barry Sonnenfeld’s massively successful action-comedy starring Will Smith, Tommy Lee Jones, and a slew of Oscar-worthy makeup effects.

We also take a look back at Robert Zemeckis’s metaphysical and emotional drama CONTACT, which launched Jodie Foster into space to meet a very different kind of alien. (Or did it?!) Despite being released at the peak of UFO mania in the 1990s, these films could not be more different.

Jump on our spaceship as we fly through a wormhole back to 1997 to decide if the Men in Black still make the summer blockbuster look good, or if we’d rather make contact with a movie adapted from an astrophysicist’s book.

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Give us some sugar to defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

91: “My Only Love Sprung From My Only Hate” – Romeo + Juliet

Baz, Baz, wherefore art thou Baz Luhrmann? On the latest episode of When We Were Young, we travel back to the mid-90s (and then even further back to the 16th century) to rewatch the Australian director’s frenetic modern-day adaptation of WILLIAM SHAKESPEARE’S ROMEO + JULIET (1996). The film was a hit at the box-office and cemented Leonardo DiCaprio and Claire Danes’ status as the heartthrobs of their generation.

Plus, the film’s soundtrack was considered one of the all-time greats, filled with original Bard-inspired tunes by the likes of Garbage and Radiohead. Shakespeare’s tragic tale of star-crossed lovers is still considered a classic, but does Baz’s exhilarating adaptation stand the test of time, too?

Pray, join us in merriment for Part I of our Spectacular Spectacular review of the films of Baz Luhrmann – or do you dare bite your thumb at us, sir?

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

84: “In the End It’s All Nice” – Requiem For A Dream

As if 2020 couldn’t get any more dismal, we sat down to rewatch Darren Aronofsky’s REQUIEM FOR A DREAM, a movie so depressing that many of its viewers refuse to ever watch it again. Released in the year 2000 to positive reviews and horrified audiences, Aronofsky’s film about drug addiction and the depths people will go to get their fix still carries the reputation of being a traumatizing film-watching experience.

Is “Requiem” just as viscerally unnerving twenty years later? Join our discussion as we consider the appeal of disturbing cinema and share why Ellen Burstyn’s performance as Sara Goldfarb is in a category all its own.

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

70: “Don’t You Ever Laugh as the Hearse Goes By” – Scary Stories To Tell In The Dark

They eat your eyes, they eat your toes – but all we’re asking for is your ears to listen to us revisit SCARY STORIES TO TELL IN THE DARK, the book series featuring stories retold by Alvin Schwartz and nightmare-inducing illustrations by Stephen Gammell. There was nothing more exhilarating to an 80s and 90s tween than flipping through these books under the covers with a flashlight, both hoping for and dreading the scares you’ll get before you go to sleep.

The “Scary Stories” series remains popular with kids, is not so popular with a certain sect of overprotective parents who still hope the books get banned from their children’s libraries, and is finally getting a big-screen adaptation 38 years after the release of the first book. But now that we’re adults, are the stories really all that scary? Are Gammell’s watercolor drawings as creepy as we remember them? And can someone tell us why the car behind us is repeatedly flashing their high beams? Join us for our latest episode — if you dare!

When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email your episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes so more folks check out the show!

Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

27: “I’m Everything You Ever Were Afraid Of” – Stephen King & Stranger Things

STAND BY ME (1986) & STEPHEN KING’S IT (1990)

Stranger things have happened than what happened on Stranger Things — thanks in large part to one of horror’s most prolific names. In honor of the Netflix nostalgia-fest’s second season, When We Were Young takes a look at the 1980s oeuvre of its biggest influence, Stephen King.

Following two true blue horror masterpieces, Carrie and The Shining, King unleashed a wave of spine-tingling adaptations with varying degrees of schlock, from pyro pixie Drew Barrymore in Firestarter to the killer car in Christine. We discuss these titles and their influence on Stranger Things, then dwell on the 1986 coming-of-age classic Stand By Me, which blends some macabre moments with a more melancholy tale of boyhood, mortality, and purple vomit. Finally, we all float over to 1990, where Tim Curry’s fearsome fanged clown Pennywise awaits us in the sewer-dwelling TV movie It, recently remade as the most successful horror film of all time.

How does Stranger Things — which tries so very hard to emulate the 1980s — stack up against the stuff that actually scared us back then? Can looking and feeling like when we were young really capture the essence of when the When We Were Young hosts were young? If your brain is exploding from all the nostalgia-within-nostalgia nesting doll action happening here, great.

When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter at @WWWYshow, on Facebook at @WWWYShow, you can Email us at wwwyshow@gmail.com, and don’t forget to subscribe and review us on iTunes!

You can help us defray the costs of creating this show, which include purchasing movies/shows/music to review, ordering delivery food to eat our emotions, and producing & editing in-house at the MFP Studio in Los Angeles CA, by donating to our Patreon account at patreon.com/WhenWeWereYoung