Archives

Podcast: Play in new window | Download (Duration: 1:33:04 — 101.6MB)

Subscribe: Apple Podcasts | TuneIn | RSS

Hollywood got a double dose of ultraviolence in 1994 with the release of not one but two postmodern, blood-soaked meditations on pop culture and the media from a new and exciting filmmaker named Quentin Tarantino.

The first of these, NATURAL BORN KILLERS, directed by Oliver Stone, was so controversial at the time that Tarantino himself disavowed it (along with a sizeable portion of moviegoers and critics). Nearly 30 years after its release, there’s still a lot to discuss and debate about Mickey and Mallory and whether its satiric and satanic take on the media remains relevant.

There’s also quite a lot to say about the eccentric writer/director’s pre-1994 films TRUE ROMANCE and RESERVOIR DOGS, as well as his influence on ’90s cinema as a whole. That’s why this is just Part 1 of our Tarantino deep-dive—so make sure you tune in for our talk on his arguable (and yes, we do argue) masterpiece PULP FICTION in Part 2!

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 2:05:00 — 141.5MB)

Subscribe: Apple Podcasts | TuneIn | RSS

Sometimes, iconic characters from a movie become pop culture references that outlast and outshine the movie itself. Sometimes, you’d rent a movie at Blockbuster based on the cover alone. And sometimes, ambitious white women in ancient Egypt or “Hauptmann-Koenig” time travel and teleport into beautiful mannequins in a department store in Philly! In 1987 and 1991, that sometimes and those iconic characters were the namesakes of MANNEQUIN and MANNEQUIN TWO: ON THE MOVE.

Whether in the role played by Kim Cattrall in the first outing (playing an Egyptian character – in ancient Egypt) or by Kristy Swanson in the sequel, the female lead of this well-known franchise is a woman hopelessly trapped in a department store window mannequin until a hapless and bumbling (but secretly talented!) handsome guy named Jonathan or Jason arrives to become her instant true love and render the force of life into her immobile body. Cue the instantly-iconic Starship power ballad “Nothing’s Gonna Stop Us Now” and the inevitable wedding bells!

In both movies, Meshach Taylor plays the indefatigable and fabulous Hollywood Montrose, an out and proud gay man who does window displays at the Prince and Company department store and who helps these men meet their mannequin matches. How moving are Mannequin’s representations of women and of “Hollywood” in 2022? Is the Mannequin still vibrant and vivacious – or have time or Egyptian gods or a cursed necklace turned her back into cold, expressionless, painted fiberglass? Also, why don’t more movies Have A Dog? Our podcast hosts surveyed every cranny and corridor of Prince and Company by hang glider to answer those questions and revisit these movies.

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 1:41:38 — 108.0MB)

Subscribe: Apple Podcasts | TuneIn | RSS

When We Were Young’s Tom Cruise double-feature sets sail on what might be the movie star’s ultimate role, the titular charming and conflicted sports agent of Cameron Crowe’s JERRY MAGUIRE.

This 1996 romantic drama made a star out of Renee Zellweger and Cuba Gooding Jr. (the latter winning the Oscar for Best Supporting Actor) and cemented Cruise’s status as Hollywood’s go-to leading man with his record-breaking fifth $100-million-plus-earning feature.

Decades later, does Cruise’s performance still complete us? Does the film have us at “Hello?” Do the script’s seemingly endless quotable moments, er, show us the money? (Sorry.) Join us on the final stop of our Cruise down memory lane, with a pit stop discussing the actor’s other notable 1996 entry, “Mission: Impossible.”

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

And show us the money to help cover the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California via our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 1:52:51 — 100.3MB)

Subscribe: Apple Podcasts | TuneIn | RSS

It’s Part Two of (deep breath) the When We Were Young Early Late Mid-to-Late 90s Summer Alien Invasion Spectacular, taking on the top alien flicks to invade 1997! In our latest episode, here come the MEN IN BLACK (clap clap), Barry Sonnenfeld’s massively successful action-comedy starring Will Smith, Tommy Lee Jones, and a slew of Oscar-worthy makeup effects.

We also take a look back at Robert Zemeckis’s metaphysical and emotional drama CONTACT, which launched Jodie Foster into space to meet a very different kind of alien. (Or did it?!) Despite being released at the peak of UFO mania in the 1990s, these films could not be more different.

Jump on our spaceship as we fly through a wormhole back to 1997 to decide if the Men in Black still make the summer blockbuster look good, or if we’d rather make contact with a movie adapted from an astrophysicist’s book.

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Give us some sugar to defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 2:13:04 — 140.7MB)

Subscribe: Apple Podcasts | TuneIn | RSS

In the mid-90s, multiplexes were invaded by an influx of movies centered on mankind’s first contact with extraterrestrials. And unlike the cute and friendly aliens we got to know in the 80s, like E.T. and ALF, the space invaders of the 90s mostly just wanted to annihilate us, starting with our favorite tourist destinations.

Part One of the When We Were Young Early Late Mid-To-Late 90s Summer Alien Invasion Spectacular looks at two of the deadliest interstellar assaults to ever breach the silver screen, both celebrating their 25th anniversaries this year.

First up, we celebrate the 4th of July in the most American way possible — with mass casualties, tons of military hardware, a bombastic presidential speech, and a stripper! Roland Emmerich’s record-smashing INDEPENDENCE DAY (1996) raised the bar for special effects-loaded summer entertainment, redefining the blockbuster with its cataclysmic destruction of U.S. landmarks (a popcorn movie hallmark ever since).

Next, we attempt to shield ourselves from Tim Burton’s outrageous sci-fi send-up MARS ATTACKS! (1996), with a cast so star-studded that it stars Jack Nicholson twice! The wacky comedy had just as much death and destruction as Independence Day, but came in for a crash landing when it opened in theaters, and has been largely forgotten since.

Which of these uncomfortably close encounters holds up better now that we’re viewing them from a distance? Do we prefer President Pullman to President Nicholson? A dog that outruns an explosion, or a chihuahua with Sarah Jessica Parker’s body? Will Smith’s fresh quips, or ack-ack-ack-ack? Get answers to these and other probing questions in a podcast that’s truly out of this world!

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung