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Podcast: Play in new window | Download (Duration: 2:05:00 — 141.5MB)

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Sometimes, iconic characters from a movie become pop culture references that outlast and outshine the movie itself. Sometimes, you’d rent a movie at Blockbuster based on the cover alone. And sometimes, ambitious white women in ancient Egypt or “Hauptmann-Koenig” time travel and teleport into beautiful mannequins in a department store in Philly! In 1987 and 1991, that sometimes and those iconic characters were the namesakes of MANNEQUIN and MANNEQUIN TWO: ON THE MOVE.

Whether in the role played by Kim Cattrall in the first outing (playing an Egyptian character – in ancient Egypt) or by Kristy Swanson in the sequel, the female lead of this well-known franchise is a woman hopelessly trapped in a department store window mannequin until a hapless and bumbling (but secretly talented!) handsome guy named Jonathan or Jason arrives to become her instant true love and render the force of life into her immobile body. Cue the instantly-iconic Starship power ballad “Nothing’s Gonna Stop Us Now” and the inevitable wedding bells!

In both movies, Meshach Taylor plays the indefatigable and fabulous Hollywood Montrose, an out and proud gay man who does window displays at the Prince and Company department store and who helps these men meet their mannequin matches. How moving are Mannequin’s representations of women and of “Hollywood” in 2022? Is the Mannequin still vibrant and vivacious – or have time or Egyptian gods or a cursed necklace turned her back into cold, expressionless, painted fiberglass? Also, why don’t more movies Have A Dog? Our podcast hosts surveyed every cranny and corridor of Prince and Company by hang glider to answer those questions and revisit these movies.

Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Podcast: Play in new window | Download (Duration: 1:50:03 — 89.0MB)

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There’s something about Michael — Michael Douglas, that is. The actor has starred in the top 3 highest-grossing erotic thrillers of all time: FATAL ATTRACTION (1987), BASIC INSTINCT (1992) and DISCLOSURE (1994), where he was the object of obsession for a lonely psychopath, a conniving man (and woman) eater, and a lecherous ladder-climber. What is it about him that drives the ladies wild?

In our latest episode, we take a look back at these femme fatales and the man that ties them all together to touch on Hollywood’s view of sexually aggressive career women, sexual harassment in the workplace, and most importantly the wonders of receiving an email in the early days of the Internet.

Better hide your bunny, dear listener, because we won’t be ignored.

When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email your episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes so more folks check out the show!

Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.

Podcast: Play in new window | Download (Duration: 1:15:16 — 64.5MB)

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The 1980s may not have been quite as bleak as 1984 predicted, but the Reagan era did see plenty of doom and gloom in entertainment, from Mad Max and Blade Runner to The Terminator and RoboCop. In When We Were Young’s latest episodes, Reel Gents podcast host Travis Dukelow joins us to dissect a cornucopia of dystopias unleashed in the 80s.

In Part One, we cover Terry Gilliam’s legendary BRAZIL (1985), which takes several cues from Orwell’s 1984 and adds a healthy dollop of dryly absurd British humor. Jonathan Pryce stars as meek cog-in-the-machine Sam Lowry, whose heroic fantasies offer the only hope of escape from a dreary, duct-ravaged world — at least, until Robert De Niro shows up as the world’s most swashbuckling repairman. If your vision of the future involves Christmastime, lobotomies, plastic surgery gone awry, and terrorism, this is the dystopia for you!

If you prefer a more scathing satire of consumerism and media, however, look no further than John Carpenter’s camp classic THEY LIVE (1987), discussed in Part Two of this episode. It stars wrestler Roddy Piper as John Nada, a down-on-his-luck drifter who suddenly learns that roughly half of America’s population is being brainwashed by television — and the other half are aliens. This cult favorite features magic sunglasses, excessive ass-kicking, and absolutely no bubblegum — and yet feels strangely prescient about the state of the world in 2018.

Is it 1984 yet? Join us for this two-part dystopic extravaganza before the inevitable collapse of society renders podcasts obsolete!

When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and you can email us your episodes suggestions at wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes!

Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.