Author: theMFP
48: “Put Me Back In! Put Me Back In!” – Look Who’s Talking
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Our Summer Bruce Willis trilogy – Bruce Willogy, if you will – comes to a close as we return to the womb and the year 1989 to reexamine Amy Heckerling’s hit comedy LOOK WHO’S TALKING. Willis voices Mikey, the titular talking baby… who isn’t really talking, per se, since we are just hearing his thoughts… though sometimes the actor playing Mikey on screen is actually talking but we don’t hear what he’s saying… look, this movie turned out to be way more confounding than we thought possible.
We also discuss the film’s two lesser successful sequels, LOOK WHO’S TALKING TOO (1990) and LOOK WHO’S TALKING NOW (1993), and count the many diminishing returns of talking babies and talking dogs. Plus, we deliver the good news about one of our hosts expecting their own bundle of joy, and get nostalgic about the last year of podcasting during our 2nd Anniversary special!
When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and you can email us your episodes suggestions at wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes!
Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.
47: “Light As A Feather, Stiff As A Board” – The Craft
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Do you believe in magic? In this episode, your three favorite podcast hosts call all four corners with the help of returning guest Krissy, our go-to guru for movies involving spells and sorcery.
First, we chat about the stigma of being goth in the 90s, and casting fake spells on our enemies. Then, When We Were Young explores the dark arts via 1996’s THE CRAFT, starring Neve Campbell, Robin Tunney, Rachel True, and Fairuza Balk as teenage witches Sabrina wouldn’t be caught dead with.
From the fashion to the soundtrack to the casting of Skeet Ulrich as the big man on campus, The Craft casts a very dated spell in some ways. But how does the film’s twisted take on 90s “girl power” hold up 22 years later? Is Balk’s kooky, spooky turn as the coven’s queen bee Nancy as magnetic as we remember? With perfect love and perfect trust, we bind you from not listening to this podcast.
When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and you can email us your episodes suggestions at wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes!
Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.
46: “For I Compose the Music of the Night” – Andrew Lloyd Webber
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The Phantom of the Opera is here… and so are Eva Peron, Mr. Mistoffelees and Jesus Christ! Our latest episode explores the magical musical world of ANDREW LLOYD WEBBER, the man who pretty much composed the soundtrack to Broadway, the West End, and our childhoods in the 1980s and 90s.
Andrew Lloyd Webber – we’re sorry, SIR BARON Andrew Lloyd Webber – is arguably the most successful Broadway composer of all time, boasting many of the highest grossing musicals in history. His legend and influence cannot be disputed, but do his shows stand the test of time?
Is “Evita” still high, flying adored? Is “Phantom” best kept hidden far below the opera house? Does “Cats'” memory live on? Does “Jesus Christ Superstar” need to be crucified? Go, go, go Joseph, and join us on this symphonic journey through Lloyd Webber’s biggest hits!
When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and you can email us your episodes suggestions at wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes!
Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.
45: “Is That Hair Gel?” – There’s Something About Mary
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THERE’S SOMETHING ABOUT MARY (1998)
Bad taste. Bad behavior. Bad hair. There’s a lot to be offended by in the Farrelly Brothers’ 1998 hit comedy, THERE’S SOMETHING ABOUT MARY, which celebrated its 20th anniversary this month. But does all that bad make for a good movie? Or have movie audiences matured beyond jokes targeting the mentally challenged, the physically disabled and the incredibly wrinkled and tan in the last 20 years?
In our latest episode, we debate the merits of “Mary’s” reliance on crude comedy – from Ben Stiller’s unfortunate zipper incident, to Cameron Diaz’s infamous hair don’t, to Chris Elliott’s presence. (He’s super gross, right?) We also discuss our appreciation of – or very, very deep disgust for – gross-out humor in general.
So is there still something about the Farrelly Brothers’ “Mary?” Listen and find out!
When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and you can email us your episodes suggestions at wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes!
Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.
44: “Come Out To The Coast, We’ll Get Together, Have a Few Laughs” – Die Hard
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DIE HARD (1988)
Welcome to the party, pal! In this episode, we’re celebrating Christmas in July with the 30th anniversary of DIE HARD, a (debatable) holiday favorite. John McTiernan’s 1988 hostage thriller posed Bruce Willis as a kinder, gentler action hero alternative to the likes of Schwarzenegger and Stallone — but don’t worry, he still murders lots of greedy terrorists. Ho, ho, ho!
This genre classic set the mold for many action flicks that followed, and featured one of the most beloved bad guys of all time in Alan Rickman’s Hans Gruber. But what about its depiction of women in the workplace as a threat to masculinity? Or its serious skepticism toward capitalism, the media, and law enforcement? Before you RSVP “yes” to John McClane’s holiday bash, remember this: Die Hard also co-stars a series regular from TGIF’s Family Matters.
Will Die Hard hold up as well as Nakatomi Plaza under fire? And how about those sequels? Kindly remove your shoes before stepping into this nostalgic experience, because it’s time to say “yipee-ki-yay,” podcast lovers!
When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now. You can follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and you can email us your episodes suggestions at wwwyshow@gmail.com. Don’t forget to subscribe and review us on iTunes!
Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung.